Alita : Battle Angel (2019)
While I’m learning name, do you have one for me?
It’s a nice name.
I love it!
I was really looking forward to this movie “Alita: Battle Angel“. A cyber-punk setting and unparalleled computerized images that are perfectly injected into a real-life environment. Of course, you know Alita (Rosa Salazar) is the result of a hard-working graphic designer who has been sweating for hours behind his computer screen to project a graphic shell onto a real-life person. However, it didn’t bother me. Alita seemed like a lifelike person. Even though she had those unnatural large Bambi eyes. I admit that at the beginning, my eyes always wandered down to her derriere to see if there was such a sweet little wagging tail. But eventually, how strange it might sound, I thought the end result was quite meager. Poor in terms of atmosphere and narrative.
Cheesy father-daughter story.
Maybe my expectations were a little too high. Or was it the cheesiness of the father-daughter story? There’s the all-consuming grief after the loss of a daughter. A search for a surrogate daughter to appease this sorrow. And that causes Dr. Dyson Ido (Christoph Waltz) scouring the dump of Zalem (the last air city that immediately reminded me of the movie “Elysium“) for discarded cyborg parts, so he could construct Alita. He’s a kind of Frankenstein. But this time using non-human parts.
Oh no. The romantic part.
Or maybe it was the romantic part. The last thing I needed. Really. The moment Hugo (Keean Johnson) came into the picture, I already knew that this rebel-looking hunk would make a romantic connection with this artificial being. And I really didn’t feel like witnessing romantic frivolities that make young teenage girls float. The only thing you aren’t sure about is the outcome. A happy ending? Or a catastrophic one?
The visuals are tremendous.
The only thing I regretted afterward, was that I hadn’t seen it on the silver screen. Probably it will all have been bigger and more impressive. Because frankly, the visuals are really amazing so to call (Not so hard when you see the budget they had). Great eye for details. A city that looks like a run-down anthill where metallic constructions stand next to remnants of the past. And a whole bunch of futuristic technologies and vehicles.
Past-paced, action-rich combat scenes.
And also, the action-rich combat scenes look great actually. Swirling images in slow motion and impressive choreography you might say. Especially the fight in the bar with Zapan (Ed “The transporter refueled” Skrein), the skirmish in an alley after she followed Ido and the underground fight with Grewishka (Jackie Earle Haley) appealed to my imagination. And finally, there are also the Motorball competitions. Action-packed, fast-paced and mouth-wateringly brought into the picture. It immediately reminded me of the old film “Rollerball” from 1975.
Impressive visuals, poor story.
But despite all the graphic power and hard action, I found it overall disappointing and moderate. Even though the fighting was extremely solid in terms of views, it was too safe and colored inside the lines. Perhaps because they were aiming at a young audience. But most of all I missed a solid and clear story. The so-called Great War was mentioned, but they didn’t do much more with it. The flying cities were also a complete mystery to me. There was no explanation. Beware, I had the same thing with “Valerian and the City of a Thousand Planets“. Also, a visually overwhelming film where the story is difficult to understand. This last film is also based on a comic, just like “Alita“. I can imagine that fans of these comics can empathize better with the story. But my biggest annoyance was that at the end I realized that I had watched a lengthy intro to the sequel that is probably already on the table at Twentieth Century Fox. And I hate sequels. Good advice Fox. Provide the continuation with a touch of humor, because that was missing too here.
Conclusion: a film that looks magnificent with a not so impressive story.
My rating 5/10